Pentax flagship weighs anchor in Sydney

CR Kennedy – the longest established Pentax distributor in the world – hosted the Australian launch of the flagship full-frame Pentax K-1 at the Overseas Passenger Terminal, Circular Quay, to a packed audience of specialist retailers and photo media on Monday, May 10.

CR Kennedy director, Clem Kennedy introduces the Pentax K-1 at the launch event. At far left is Rico Imaging president, Mr Noburu Akahane

CR Kennedy director, Clem Kennedy, introduces the Pentax K-1 at the launch event. At far left is Ricoh Imaging president, Mr Noboru Akahane.

Mr Noboru Akahane, president of Ricoh Imaging Company, flew to Australia to take part in the launch, underscoring the significance of the long-awaited camera in the company’s plans.

The K-1 will have a local body-only price of $2899. While initially slated for late-April release, the K-1 is in high demand globally, and is on back-order both here and in the US.

002_solo_k1-2DigiDirect partnered CR Kennedy in the launch and was doing a brisk business through the evening taking orders for a ‘launch special’ with complementary Ona camera strap.

It will initially be offered body only, but CR Kennedy is looking at ‘kits’ comprising the K-1 and either the Pentax DFA 28-105mm F3.5-5.6ED DC WR or the Pentax 24-70mm. No pricing has been set.

It is, of course, compatible with K-mount lenses from the film era – even with some AF assistance! The K-1 lets you use the aperture rings on old lenses and can give a focus confirmation beep with the central AF point, even with manual focus lenses. When a manual lens is used, the camera prompts you to manually specify the focal length so that image stabilisation can be tuned appropriately.

The camera has been greeted with universal acclaim from reviewers. It has scored five star reviews from ephotozine, Photographyblog and Camera Decision. DP Review rates its dynamic range as up there with medium format cameras: ‘.. the K-1 gives one of the best Raw dynamic range results we’ve ever seen, when shooting in single shot mode and absolutely outstanding results in circumstances where you can use the pixel shift mode. The multiple sampling of the same scene effectively gives a 2EV dynamic range boost, meaning it out-performs both the D810 and the 645Z by a comfortable margin.’

‘The camera is pretty nice,’ Australia’s leading camera reviewer, Margaret Brown (Photo Review Australia) told PhotoCounter. ‘It’s well built, with all the bells and whistles. It competes directly with the Nikon D810, and I think they both use the same sensor chip.

Mr Noburu Akahane, president, Ricoh Inagving, flanked by Clem Kennedy (left) and Doug Kennedy.

Mr Noboru Akahane, president, Ricoh Imaging, flanked by Clem Kennedy (left) and Robert Kennedy.

‘You can’t compare the K-1 with the flagship cameras from Canon or Nikon, which are totally different beasts. But it can be compared with the cameras one level down, including the Canon EOS 5D III (22.3 MP, 860 grams,$3589), EOS 5DS (50 MP, 845 grams, $4839) and EOS 5DR (50 MP, 845 grams, $5179) or the Nikon D810 (36 megapixel, 880 grams, $3400).

‘In that sector the K-1 offers a lot more functionality for shooting stills at a very competitive price.’

‘Under the hood’
The camera has a 36.4-megapixel CMOS sensor, eliminating the anti-aliasing filter for maximum sharpness. An AA Filter Simulator feature helps control the moiré effect from photos. Sensitivity is up to ISO 204800, and the new PRIME IV imaging engine allows for the capture of 14-bit RAW photos.

The Pentax K-1 has an in-body 5-axis stabilisation system

The Pentax K-1 has an in-body 5-axis stabilisation system for a five-stop exposure advantage.

One of the more interesting features is a ‘Pixel Shift Resolution System’ (first seen in the Pentax K-3 II), which captures super high-res photos by capturing four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesising them into a single composite image. Pixel shift combined with 36-meg ‘native’ resolution is going to deliver some incredibly fine-detailed image files. (Of course, the features is not so useful for moving subjects.)

Five-axis stabilisation the provides an equivalent compensation of 5 exposure stops. The AF system has 33 autofocus points (25 of which are cross-type).

On the back of the body is a 3.2-inch flexible-tilt 1.04-million-dot LCD screen – the first on any DSLR. The screen can be positioned at any angle both horizontally and vertically.

Thr K-1 also has ‘Operation Assist Lights’ on the body – small white LEDs that help you work the camera’s controls while shooting in low-light environments. Useful for changing lenses, swapping memory cards external illumination or the LCD screen.

The

The flexible-tilt LCD screen allows the screen to be positioned at any angle both horizontally and vertically.

A Crop Mode lets users shoot APS-C-sized photos and use their APS-C format lenses. The camera detects the lens type and configures its settings accordingly.

The camera body itself is both compact and rugged. It’s weather-sealed, dustproof, and cold-proof thanks to 87 sealing points, allowing you to take the camera into harsh environments and have it emerge unscathed.

Other features include a ‘nearly 100 percent’ viewfinder, Wi-Fi, GPS, dust removal, HDR mode, dual SD card slots, 1080p video at 30fps, and 4.4fps continuous shooting (23 RAW photos or 70 JPEG).

Full press release: Pentax K-1, May 2016


2 thoughts on “Pentax flagship weighs anchor in Sydney

  1. Even when doing a side-by-side comparison with the Canon 1DX II, the Pentax K-1 hits well above its weight. Why would you spend thousands more on a camera like the 1DX when some reviewers are rating the K-1’s image quality as being better than the Canon flagship. What do you want – bells & whistles or image quality. As the SMH said in a review of the K30 – Pentax is made by photographers for photographers, not by a marketing department.

  2. We have always been a strong supporter of Pentax and their
    remarkable philosophy of Mercedes quality for Holden price.
    Their superb engineering started with film cameras from the Spotmatic, to
    the K series to the M series together with the (120) 645 and the 6×7.
    Most of these classic cameras are still going strong. They have also made remarkable digital SLR’s from the ‘ist’ to the K3 series.
    The K3 will beat any SLR within hundreds of dollars for quality of
    build, functions, dynamic range and more than 8-frames a second
    speed, so quiet, it is good for nature. We did a large reception area picture
    more than 3.5-metres long using a K-3 and it is remarked upon often.
    We have sold several K-1’s already to delighted clients.
    The K-1 certainly is a game-changer and will definitely change a lot of views that the brand is a poor cousin on Canon and Nikon. (AS)

Leave a Reply

Your email address will not be published. Required fields are marked *

Recent Related Posts